Pollock’s Use of Time and Motion

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Pollock’s Use of Time and Motion

Overall, painting allows the artist to capture a certain moment in time. Over the years, several artists have tried to represent motion as well as depict motion over time. Most of the imageries by Jackson Pollock mostly comprised the outcomes of motion – the movement of the artist using his paintbrush and flipping paint over the canvas. Be it pouring, dripping, slipping, or flicking paint, the artist created conscious movements to gain the implications he desired. The utilization of action painting was primarily Pollock’s way of challenging painting conventions by utilizing synthetic resin-oriented paintings, laying prints upon the floor, and applying sticks, hardened brushes, and basting syringes for paint application. Contrary to broken lines dyed by traditional brush contact with the surface of the canvas. To capture time and motion, Pollock utilized a consistent paint stream to create an exclusive incessant trajectory or course as it splashed onto the surface of the canvas underneath. An average canvas surface would be redrafted on several occasions over a schedule of numerous months, with the painter creating a thick web of trajectories of paint. This recurrent, cumulative, consistent, vibrant painting procedure is noticeably matching towards the manner in which natural patterns advance. Other comparables with normal processes are apparent. Gravity assumes a key role for both nature and Pollock. Moreover, by discarding the easel, the horizontal canvas acted as a physical landscape to be crossed. Accordingly, there are radical aspects to the application of paint by Pollock, and both possess the potential of introducing chaos. Foremost, the motion over the surface of the canvas illustrates that Pollock utilized his whole outline to introduce a broad variation of length ranges within his painting motion.