Gone Baby Gone





Gone Baby Gone

Directed by Ben Affleck, Gone Baby Gone follows the events surrounding the abduction of a four-year old child within Dorchester neighborhood in the state of Boston. As much as it borders on the thriller genre, the film also embraces strong aspects of mystery. Undeniably, the movie expounds on numerous proverbial themes regarding inner-city crime. These themes comprise police distrust, corruption among law enforcement agencies, the persistent drug culture and betrayal within the family. Even though this film possesses several similarities to peculiar crime dramas, it separates itself from all of the others based on the real meaning it imposes behind several of the exploits taken by some of the characters. Nevertheless, irrespective of the myriad of social issues evident within the film, Gone Baby Gone provides an opportunity for assessing issues of morality and urban crime in relation to the theme of urban planning.

Urban Crime in Gone Baby Gone

The subject of urban crime is considerably evident in the film. Indeed, the neighborhood of Dorchester undergoes presentation in the film as among the toughest environs in the state of Boston. Based on this, it is evident why urban crime presents a rather considerable relationship with the issue of morality. In addition to this, Affleck exudes urban crime by implementing a noir background in which crime undergoes portrayal as a norm and, as such, cannot undergo aversion. Accordingly, the private detectives hired to rescue the kidnapped girl, Amanda McCready, engage with every sort of urban criminal. The extent to which they encounter all these forms of criminals further indicates the normalcy to which crime is actually evident in the particular neighborhood. Furthermore, the addition of the noir setting enables crime to flourish within the film.

Further illustration of urban crime is evident where the film explores an assessment of how individuals deal with the considerable degree of misdemeanors that take place within the film. Undeniably, Affleck illustrates a society where committing misdemeanor is inevitable, and usually eliminating criminals is not always the best resolution. In short, unraveling a crime, occasionally, does not constantly seem as the correct thing. The film takes the genre of kidnapping and illustrates the fact that in such an event, all the individuals involved, whether victimizers or victims, are ensnared in an enclosure of horror and despondency. The sub-urban background further explores urban crime by turning the tables on the action of vigilantism, suspect profiling and torture. The basis is in accordance to the manner such violent acts are presented in headlines within the streets daily.

Moral Dilemma in Gone Baby Gone

The movie also focuses considerably on the issue of moral dilemma. At the center of it, Affleck fills each scene with a set of moral ambiguities and is capable of establishing tension within the most minimal of moments. One of the moral questions explored within the film involves parenting. The victim’s mother, Helene, seems degenerate within the movie. Indeed, if she were able to assume her responsibilities as a mother, then Amanda McCready would never have undergone the incidence in the first place. Based on this, the events that occur within Dorchester engage the audience in determining whether parental autonomy is a right or a privilege. Undeniably, even though her mother is an alcoholic and a drug addict, she is still her mother and therefore, presents a considerable ethical dilemma.

Gone Baby Gone highlights the probable results of rushing in to commit fair deeds before each fact is unraveled. Based on the consistency of crime within the Dorchester neighborhood, there is a consistent reevaluation of the situation by the audience in relation to the issue of morality in the scene where McKenzie is present with an absolute conclusion of Solomon. From the film, society has conventionally decreed that the association of a child and his or her parent is an exclusive one that should not undergo any violation even in extreme situations. As the movie illustrates, outsiders should think callously before taking action based on presumptions regarding what is good for the child. In addition to this, the scene also presents an illustration of the dilapidated environment and how such a neighborhood, can actually create such a good-mannered girl despite posing a threat to her ethical subsistence.


In conclusion, the film, Gone Baby Gone, presents a vivid illustration of the issues that are usually evident in urban neighborhoods. The film set up in the neighborhood of Dorchester in Boston presents a noir-esque depiction of constancy of criminal activities. Based on these myriad of criminal activities, the motion picture further represents the consistency of crime as a challenging factor for law enforcement. Such challenges are not only based on the apprehension of criminals, but also on other decisions that the officers have to take in relation to the main objective. Furthermore, the film focuses on aspects of urban neighborhoods such as urban crime as well as the moral dilemma that comes with it. Indeed, Gone Baby Gone illustrates an interesting and morally cinematic view of most of the problems plaguing cities and neighborhoods in America, with the kidnapping of Amanda McCready as a sufficient example.



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